The Waterline (2026)

The Waterline (2026), originally titled "Obras muertas" in Spanish, is a documentary directed by Elisa Sepulveda Ruddoff that explores the fragile existence of solitary fishermen in northern Chile. The film captures the stark landscape where the desert meets the ocean, depicting how these individuals rely on the sea for their livelihood despite the arid conditions surrounding them. It highlights the delicate balance between freedom and survival in this remote environment.

As the narrative unfolds, the documentary reveals that this haven of freedom becomes an arena for military exercises every year. Through precise cinematography, the film deciphers both the territory and the resistance faced by the local community as their peaceful routine is periodically disrupted by external forces. The project offers a poignant look at human endurance and adaptation in the face of geopolitical intrusions.

Above the Waterline, as it is also known, premiered on April 23, 2026, at the Visions du Réel festival. Running for 72 minutes, the French-Chilean production has garnered attention for its observational style and unflinching portrayal of life on the margins. The film's title change to The Waterline for English-speaking audiences reflects its thematic focus on the boundary between safety and danger, land and sea, civilian life and military presence.

• The film had its world premiere at the Visions du Réel international documentary festival in Nyon, Switzerland.
• Director Elisa Sepulveda Ruddoff crafted the film to highlight the concept of territory and resistance without overt political commentary.
• The production is a co-operation between France and Chile, reflecting the transnational nature of the story.
• The original Spanish title Obras muertas translates to Dead Works or Useless Labor, emphasizing the futility often felt against larger forces.