[Ne:bu dobro] (2026)

A filmmaker in her late twenties trades in a stable relationship and her own place for a return to her parents’ home. Staring upward, she envisions a skyline that stretches toward a brighter horizon—one where she can finally afford four walls of her own. Window frames transform into mirrors of introspection, through which she weaves personal archival footage to reframe a life in turmoil and map the connections with those she once lived with, those she’s with now, and those she dreams of sharing a home with someday. Borrowing the viewpoints of both an ex and a current partner, she dares to step outside the frame and confront a raw truth: in today’s world, falling for someone who owns property feels like hitting the jackpot. This is a tale of existing within boundaries while reaching beyond them, all contained by the cinematic frame itself—where anything is possible, even keeping your head among the clouds while economic gravity keeps tugging you back down to earth.