Igor and After (2026)

Igor a potom

This year’s showcase of bold, artistically rebellious portraits—featuring striking pieces like *The Hanging of Stuart Cornfeld*, *Robert Richardson: The White Devil*, and *A Pint of Ink*—quietly steals the spotlight with a deeply resonant entry on Igor Luther, a cornerstone of Slovak and European cinematography. Director Ivan Ostrochovský brings a rare, fluid, and contemplative lens to the project, which Luther himself helped shape during his final months. As the filmmakers behind classics like *Birds, Orphans and Fools*, *The Tin Drum*, and *Danton* attest, those timeless works would lack their enduring cinematic pulse without Luther’s visionary contributions.